It's frustrating to think that-to think that my best-selling work was in my 20s, at the same time I'd like to show you this as something that I'm passionate about now. Stephen King talks about how his greatest work is written thirty years ago. It's not a good thing for humans in general for you to think that your best days are past. Ten years from now, those will be my glory days I can't wait for 30 years from now, those will be my glory days.
My age is what it is, but I'm not a person who lives in the past. It's not heavy metal at all-it's straight up mainstream radio rock!ĭee Snider: I'm trying to make contemporary rock 'n' roll music. Noisey: This new album of yours is going to surprise people. We talked a lot about his upcoming album (which we're streaming below), too, his respect for Black Lives Matter, and the power of a "positive fuck you." Our conversation bounced between his black metal-loving daughter's tattoos to the First Amendment and his fraught relationship with Donald Trump (who Snider asked to stop using "We're Not Gonna Take It" as Trump's campaign progressed). So, mischief managed, he and I headed down into the belly of the office to commandeer a tiny conference room.
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As anyone who's listened to his radio show (or spent more than thirty seconds in his presence) knows full well, he loves to talk, and has quite a lot to say.
I wanted to talk to him about that-about the strange nature of fame-but, Dee Snider being Dee Snider, we ended up talking about a whole lot else besides. The man behind "We're Not Gonna Take It" has literally done it all, and is arguably more successful now than he ever was during his bonafide rockstar days. On top of all that, he's getting ready to drop his first solo album, which, in true Dee Snider fashion, he introduced to the world not via intimate bar show or Soundcloud leak, but during a mainstage performance at Chicago's Riot Fest. His latest project took him to the Rock 'n Roll Hall of Fame, where he's been involved with their new Louder Than Words: Rock, Power & Politics exhibit (which touches on many subjects close to Snider's heart, from campaign songs to feminism) and played at the exhibit's opening event. He did Broadway, touring as a cast member of Rock of Ages and staging his own Christmas musicals.
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He got into reality TV (which ensured that a whole new generation became familiar with his inimitable voice, to say nothing of his look). He popped up as a narrator and talking head all over VH1. He wrote (and starred in) a horror film, Strangeland. He got into radio, launching his long-running House of Hair and Dee Radio shows. Rather, the sinewy native New Yorker stayed hungry. After that, as Twisted Sister's star steadily began to fade, Snider refused to go gently into that good night. In heavy metal terms, Snider has also long been the people's champion-he famously went to bat for the genre during PMRC-panicked 80s, testifying against censorship at a Senate hearing alongside Frank Zappa and John Denver in 1985. The man's a giant in more ways than one he's been one of heavy metal's most recognizable larger-than-life characters for decades as the flamboyant frontman for hair metal icons Twister Sister. I don't blame my coworkers for being surprised to see Snider wandering through the lobby. As someone who's been in the public eye for longer than I've been alive, he was used to the attention but you could tell he still drank it in. Black coffee in one hand, dadishly practical umbrella in the other, a thoroughly fussed-over Snider then strode out towards our roof deck so that we could snap a few photos, grinning like a returning heavyweight champ. When I took him to the office kitchen to grab a cup of coffee, we were quickly surrounded by a small coterie of starstruck VICE employees who helpfully proffered their advice on using our temperamental coffeemaker.
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